2018 Collagraph with Letraset Edition of 1 28 x 28cm The print was made by turning book covers intocollagraph plates. This gave me an opportunity to further explore the objectivity of a book and a book cover’s textures. Here a book cover becomes an image made up of marks, tones and textures that I found […]
2018 Collagraph Top Roll, Letraset . Edition of 1 28 x 28cm The print was made by turning book covers intocollagraph plates. This gave me an opportunity to further explore the objectivity of a book and a book cover’s textures. Here a book cover becomes an image made up of marks, tones and textures that
2018 Indian Ink on Paper 42 x 27.9cm Indian ink and a Hake brush. Exploring the types of marks and movement that can be made with the bush.
2019 Watercolour on Paper 14.7 x 10.5cm I have an ongoing series of small watercolour paintings called the Book Painting series. Over the years I have bound old test prints and paper lying in my studio together into small books. They become little studio history books. Since alot of the pages were blank I began
2019 Watercolour on Paper 10.5 x 7.4cm I have an ongoing series of small watercolour paintings called the Book Painting series. Over the years I have bound old test prints and paper lying in my studio together into small books. They become little studio history books. Since a lot of the pages were blank I
2018. Drypoints with black card and Buckram . Edition of 3. 17 x 12 x 2cm Being a cat lover and owner, my two cats are so much a part of my daily life. Their mundane activates often become what I love most about them, the way they stretch, sleep, played or simply sat staring
2020. Drypoint Edition of 20. 28 x 28cm The print was inspired by exactly that, the tools used by printmakers to create drypoint marks. From needles to engravers to roulette wheels. The print was created through the process of exploration and experimentation with these tools to create an almost abstract expressionist image that shows texture
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2019. Drypoint Aquatint, 100% Kozo Chine Colle. Edition of 10. 28.5 x 21cm As a dyslexic, I was given a range of tools to help me read. The print “visual-perceptual” is a representation of one of those tools. Visual perception refers to the brain’s ability to make sense of what the eyes see. One of the
2020. Drypoint Aquatint, 100% Kozo Chine Colle, Digital Print and Book Repair Tape . Edition of 10. 2 41 x 42cm De Beer’s work has been strongly focused on words as abstract imagery rather than carriers of semiotic meaning and the access to knowledge through the vehicle of books and the written word. These
